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Recording and selling your own CDs
If making a CD is part of your future, you will want to
read this section.
Strategies for recording, buying equipment, income-producing assets.
If making a CD is part of your future, you will want to
read this section.
Strategies for recording, buying equipment, income-producing assets.
doesn’t mean you will have a music career. Also, keep in mind that for many, producing
a CD may not be relevant to your Hedgehog Concept. (If you don’t know what that is,
stop and read about it now. It is crucial to your entire career). But if it is, keep reading.
At one time, the only option for a musician wanting to make a CD was to use a
commercial recording studio. But things have changed dramatically. Today with
computer-based recording software, you can set up a high-performance studio in your
home....
a CD may not be relevant to your Hedgehog Concept. (If you don’t know what that is,
stop and read about it now. It is crucial to your entire career). But if it is, keep reading.
At one time, the only option for a musician wanting to make a CD was to use a
commercial recording studio. But things have changed dramatically. Today with
computer-based recording software, you can set up a high-performance studio in your
home....
Let me tell you a little side story that illustrates a good way to shop for equipment:
From the age of thirteen, I dreamt about one day owning a Neumann microphone. All
the great classical guitarists and other musicians from the 1950s on seemed to use
Neumanns. I loved how they looked—so serious and professional. But they were
expensive and far out of my price range. With my money from teaching guitar classes at
the YWCA in St. Louis, the best I could do at the time was to buy a Shure SM-57. Back
then, the 57 probably cost about sixty dollars.
But many years later, and enjoying a much better income than I had teaching at the
YWCA, I was holding...
From the age of thirteen, I dreamt about one day owning a Neumann microphone. All
the great classical guitarists and other musicians from the 1950s on seemed to use
Neumanns. I loved how they looked—so serious and professional. But they were
expensive and far out of my price range. With my money from teaching guitar classes at
the YWCA in St. Louis, the best I could do at the time was to buy a Shure SM-57. Back
then, the 57 probably cost about sixty dollars.
But many years later, and enjoying a much better income than I had teaching at the
YWCA, I was holding...
EXPLORE |
Strategies for recording:
do it yourself vs. using a
commercial studio
Buying equipment
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